America's Travail
In America, we
Are fucked
Like a daughter
Who was sexed
By her father
At an early
Age, and then
From then on
With any man
That she meets
it's like
'Give it to me'
because
She has no sense
Of privacy
The privacy that
Her father
Took from her
(and
the sense of)
Which was the real
Violation
In the matter; of
Her very will -
To have one
of
Her very own.
America
Had her innocence
Stripped from her
Early on
By predators
Of a monetary
Nature
Plying their trade
With the aid
Of The People, who
just didn't
know
any better
Is all, unaware
Of what all
they
were up against:
the spirit
Of Reptilians
(and in some cases
the very Thing)
Taking advantage
Of the people's
better -
to say
inherent
even
fundamental -
Natures
as vey gods
In the making
ambushed
On the way
By souls, similar
To theirs
Though operating
under
arressted
development .
(And so they should
be.
Arrested
I mean. And they
Will be;
mark
My Word
on that.)
--
Talk Of Jesus
People talk
About Jesus
As though He
will come
From the heavens,
trailing
clouds
Of glory (whatever
that is, or
they are).
What if He
Is simply
Amongst us?
Keeping
an I
On things??
Having shared
Our trials and
yes,
Our tribulations
To a ripe old age???
Having shared
Our trials and
yes,
Our tribulations
To a ripe old age???
Now, that
would be
a story
Worth telling
and retelling
on our way
to
heaven
or
at least
The Fifth variation
Thereof
for a start…
We each
Have a part
to play
In
The Drama
Unfolding
Before
Our very
I's.
And speaking
Of dramas:
I once wrote a film
About a man
And a woman
(good start,
eh?) both
Americans, who meet
At an artist's colony
In a seaside village
In Mexico. He
is a budding
artist
Apparently; she
Is the daughter -
as lovely
As they come;
if
a bit feisty, still
in her youthful
promise -
Of a businessman
up
To no good, by
The looks of things
With a couple of
Business partners
Again, apparently.
(Not everythig
In the film
Is as what
we see
On the surface.
A lot like real life
In that. Or is that
'reel' life, too…)
They meet,
talk
Briefly, and he asks
To paint her.
Flustered
A bit, she
Acquiesces;
and as time
goes by, he
Paints a series of her;
from her
original
white marble
of youthful
Innocence, through
Stages of her browning
In the sun
Of her undoing;
ending
In her death
At the hands
Of a jealous
True native, hankering
after
something
That the still young
American male
Stands for
In her mind.
Never
mind
what
precisely
(a likely
candidate
is
Integrity);
the point
is that
the America
that was
dies;
and in its place
is left
a final
Portrait, wherein she
Has been transmuted
(in the mind
of the artist
you understand)
into
A dark-browned cross:
a sacrifice
to the god
of Cupidity
perhaps???
…we never know
Precisely; all we know
Is that the artist - who
(Again, apparently) feels
Responsible, somehow
For the unhappy ending
Of the America
Of such promise
(as does
The girl's father; still
Uncomprehending -
at least
To some extent - his role
in the whole
Scenario) -
moves on
(to the unhappiness
of the colony's older
female owner;
but that's
another matter,
indigenous
to the screenplay itself)
And at the end
we see
That he has taken up
With some others
In the building of
a city
On the American
Continent, that then
Becomes the focus
For a landing
From 'the heavens'.
Which won't have been
The first time
That that very
Sort of thing
Has happened
On this plane
Of existence,
This planet
Specifically,
and
That place
On purpose.
The purpose
For which America
stands
Truly. Not
As She has been
Hijacked
From. By those
Unworthy souls
Who have become
Besotted by
the God
Of Mammon
In their misplaced use
Of their gift, by
their Creator
Of free will.
But
There is still time,
Brother
To get it all
Right.
But barely.
Oh - And
The city?
It stands for
a City
of Light
Ultimately
coming down
From the heavens,
trailing
clouds
Of great glory.
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